About
The feminine identity is primarily reflected through me as a female painter. I always choose to come back paint, draw and reflect girls and young women are living in and raised nowadays. The latter shows in my paintings, although may not always be visible. The strong, powerful female energy goes ties with the situation we as women find ourselves in today. The female figure is embedded in ‘nature’, the outdoors. Experiencing climate change and a pandemic, I feel so much more part of the natural environment as it dictates my perceptions and actions in an inevitable way. To see and feel the connectedness and beauty in this is a constant drive in my paintings. When I think of the viewer looking at my paintings, I’m hoping for a bit of unfamiliarity compared to ones own experience and the lust to discover something outside ones own body and mind. I love to paint and construct different worlds and discover something new.
The series ‚To hold one’s own world‘, finished in 2024, deals with the current situation we are living in and how I as a painter deal with the current situation we are living in and how I as a painter deal with this.
Seeking the rest, recharging, from the feeling of being overwhelmed with the ‚today‘. Holding oneself together in absence of the news, the ongoing photos, also the horrors of the nowadays.
Figure (female), tree, house are the basic ingredients I’m always coming back to in my painting process. They are holding this body of work together. And the color.
Claudia Rega
CV
Lives and works in Münster, Germany | |
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EDUCATION | |
2012 – 2015 | Studium Malerei / Studied Painting, Freie Akademie der bildenden Künste, Essen Klasse Bernard Lokai, Prof. Stephan Schneider Graduated as Meisterschülerin, Akademie Stipendium |
1994 | Psychologie (Diplom), WWU Münster |
| EXHIBITION |
2024 | Reisig and Taylor Contemporary, Los Angeles, Other Days, G Karl Oskar Gallery, Berlin, G (summer) |
2023 | G.ART.EN, Como, Selfscape Stav Art Gallery, New York, USA Pouch Cove Foundation, Residency, curated, Canada Amelia Maxwell Artadvisory, London, GB, G, virtuell Inventory, Karl Oskar Gallery, Berlin, D, G |
2022 | ‚Da hinten ist das wo wir hingehen‘, Karl Oskar Gallery, Berlin, DE, solo ‚Schau‘, Kunstverein Neckar-Odenwald, DE ‚Inventory3‘, Karl Oskar Gallery, Berlin, DE Volta Basel, Karl Oskar Gallery, Basel, CH |
2021 | ‚Mediated Landscape‘, Harvard, USA ‚Changing Landscape‘, Karl Oskar Gallery, Berlin, DE, virtuell ‚Inventory2‘, Karl Oskar Gallery, Berlin, DE ‚Open Call‘, Shrine Gallery, New York, USA, virtuell |
2020 | ‚Shin Haus‘, Shin Gallery, New York, USA, 2 person ‚Station sechs‘, Palmer Galerienhaus 3.0, Stuttgart, DE ‚Spring Show‘, Silson Contemporary, Harrogate, GB |
2019 | ‚Welten umspannen‘, Galerie Clowns und Pferde, Essen, DE, 2 person Parkansichten, Gruga Park, Essen, DE, solo |
2017 | Kölner Liste, Fair for Contemporary Art, Köln Kunstspur Essen, Offene Ateliers, DE |
2016 | ‚Visits‘, Institut des Beaux-Arts, Tétouan, MAR ‚Farbe. Und Grau‘, Kunstraum Leverkusen, DE, 2 person Kunstspur Essen. Offene Ateliers, DE |
2015 | „Essener Förderpreis 2015“ Nominierung und Ausstellung, Essen, DE |